The very talented Keren Katz did this amazing drawing of our Director Anelle Miller's office! It's part of a series she is doing on work spaces and we cannot wait to see the rest of this project! Keren did such a great job capturing all the little details including the “bullshit” button, Anelle's garden gnome collection (that the loving staff has bestowed on her), WWE figures, and numerous trophies! Thanks Keren, we love it!!!

The very talented Keren Katz did this amazing drawing of our Director Anelle Miller's office! It's part of a series she is doing on work spaces and we cannot wait to see the rest of this project! Keren did such a great job capturing all the little details including the “bullshit” button, Anelle's garden gnome collection (that the loving staff has bestowed on her), WWE figures, and numerous trophies! Thanks Keren, we love it!!!

Three students have been selected as this year’s Zankel Scholar Finalists!  

Xanthe Bouma (Maryland Institute College of Art), Taylor Lambert (San Jose State University), and Brenna Thummler (Ringling College of Art and Design) were chosen to represent their university/college and will now move on to the final interviews and portfolio reviews to take place at the Society’s headquarters.  

The Zankel Scholar is an annual scholarship, named in memory of Arthur Zankel, whose generous bequest has made this possible.  Mr.Zankel was a firm advocate for higher education.  This is the 8th year the Society has been honored to seek, in his name, the best of the junior class and to financially support his or her senior year of college.

This year’s judges include Gail Anderson (Art Director), Teresa Fasolino (Illustrator), Brendan Leach (Illustrator), Stephen Savage (Illustrator), and Len Small (Art Director, Nautilus Magazine).  

Last Friday, June 20th, the Society of Illustrators held the 2014 Hall of Fame Induction Ceremony.  Every year, the Society’s galleries, housed in an 1875 carriage house on the Upper East Side of New York City, are transformed into a spectacular display which includes theater-like seating surrounded by dim red lights and elegant table settings in the third floor Hall of Fame gallery.  All this is to honor the life, work and legacies of the year’s recipients.

This year the Society inducted Al Jaffee, Syd Mead, and Ed Sorel into the Hall of Fame, as well as Mary Blair, Walter Everett, William Cameron Menzies, and Alex Raymond posthumously.

It was truly a spectacular evening with many shared stories of fond memories and insight into the recipients long and talented careers.  

For more images from the celebration please visit our flickr page

The First Ever Comic and Cartoon Art Annual!

Last Friday, June 13th, the Society of Illustrators hosted the first ever Comic and Cartoon Art Annual Opening Reception and Awards Ceremony.  The night was full of friends- both new and old- who braved the torrential downpour and enjoyed some great food and drinks prepared by our very talented Chef Q!  


We celebrated the winners with an Awards Ceremony and Presentation and heard some very moving and emotional acceptance speeches.  There was a lot of warmth and support in the room, and it felt very special to be there and show our appreciation for comic and cartoon artists.   


(pictured above: Ruben Bolling accepting a Gold Medal.)

This year’s Chair, Steven Guarnaccia, began the evening with some beautiful words that we wanted to share with you.  I think Steven did a really wonderful job explaining this competition and exhibit, and why it is so important to us:

Greetings and welcome to the first annual awards ceremony for the SOI Comic and Cartoon Art Annual. It’s great to see so many new faces here tonight.

It’s a heady time for comics. They have, of course, long since left the basements and backrooms, and come in from the comics shops. University courses teach them as new forms of literature. Graphic novels, graphic memoirs and other long-form comics are regularly reviewed up front in the book pages of major periodicals, along with the traditional word-based novels and non-fiction, often without being called out as comics in the first place.

This has become so commonplace that it might do well to remember that not so long ago things were not thus. When I recently interviewed Arnold Roth, Al Jaffee and Mort Walker for the National Cartoonists Society, Mort reminisced about the controversy that attended his nomination for membership in the Society of Illustrators. At the time, illustrators looked down their noses at comic strip artists, just as fine artists were looking down their noses at illustrators. In fact, there was an even more finely grained system of prejudices at the time: gag cartoonists looked down on comic strip artists, comic strip artists looked down on comic book artists, and New Yorker cartoonists looked down on everyone.

The truth is, comics and illustration share a long history. Winsor McCay, one of the most illustrative of comics practitioners, was a poster artist and newspaper illustrator of journalistic and humorous subjects before he embarked on “Little Nemo in Slumberland”, the strip that secured his place in the comics pantheon. Crockett Johnson, Garrett Price, VIP, Arnold Roth, among others, kept one foot in each camp over the years.

The increased visual sophistication of contemporary comics is partly due to the incursion of illustrators into the comics field. One positive result of the recent stagnation of commissioned editorial illustration is that illustrators have been forced to look for creative and economic satisfaction beyond magazine and newspaper illustration. Many illustrators initiate their own projects, becoming visual storytellers in the process. The current fields of children’s books, animation and comics are the richer for this.

This, the first Society of Illustrators Comic and Cartoon Art Annual, is not meant to be an exhaustive survey of the field. Rather, it’s a snapshot of a moment. The work came from seasoned professionals and from fresh newcomers. In keeping with the spirit of the Society of Illustrators annual illustration competition, the work was submitted by the artists themselves, as well as by the publishers. This has made for a fresh pool of work to consider, and it introduced the jurors, and the field and public as well, to many terrific little-known artists. Many will surely go on to become future mainstays of comic-dom, just as we hope the Comic and Cartoon Art annual will become an important event on the comics calendar for years to come.

By the way, 40 pieces from the show will travel to colleges, galleries, museums and libraries around the country.

I want to thank the jurors who reviewed the work. They are a veritable who’s who of artists, editors and commentators from the world of comics, and their presence on the jury guaranteed the stature of this competition. You can find all of their illustrious names in the catalog. A note about the jurying: all of the long-form works were sent a month in advance to the jurors of that category, to read. All of the jurors in all of the categories then met in separate sessions here at the Society, over the course of a week, to review the works and discuss them with their fellow jurors. Lively dialogue ensued.

I want to thank Rutu Modan for creating the terrifically bizarre art for the poster, and Tara Jacoby for designing it, and the beautiful catalog of the show.

Special thanks must go to exhibitions director Kate Feirtag, the ever-undaunted, tireless organizer of all things competitions here at the Society. People often say, figuratively, about a colleague, “I couldn’t have done it without them.” But in this case it’s no figure of speech. There were innumerable moving parts in organizing this competition, and I literally could not have chaired this competition without Kate helping and guiding me every step of the way.

As always, a big thanks and hug to Anelle Miller, the director of the Society, who has opened up this place to more new ideas than Pope Francis has the Vatican.

I want to encourage you all to enter next years’ competition, and to spread the word. I’ll be chairing the annual again next year, this time with Bob Sikoryak as co-chair. Bob will then go on to chair the annual with a co-chair of his choosing the following year.

Thank you!



NEW YORK, NY (February, 2014)—The Society of Illustrators is proud to announce that Gregory Benton, Tracy Hurren, Chip Kidd, Chris Pitzer and James Sturm will form the jury for the MoCCA Arts Festival Awards of Excellence. These awards will recognize the most outstanding work on view at the…

Very excited to share this stellar list of jury members for this year’s MoCCA Fest Awards of Excellence! 

A New Acquisition!

The Society is excited to share with you our latest acquisition to the Permanent Collection.  This beautiful Howard Chandler Christy was purchased at the Bonham’s auction.

Like Charles Dana Gibson’s “Gibson Girl”, Howard Chandler Christy (1873-1952) is most recognized for his “Christy Girl”, as seen above.  These ladies were featured in advertisements, stories, and editorial works for magazines and newspapers, and became the ideal beauty of the late 19th and early 20th century.  They were aristocratic and dainty with slim waists, delicate features, and flowing hair.  During the Spanish-American War, the “Christy Girl” was used in patriotic posters and helped Christy become a major celebrity of the time.  

This piece is titled “Late Night Conversation” and was finished in 1923.  The caption reads “two Christy Girls, one in deshabille and one just returned home on the arm of a man.” It was possibly commissioned for a double-page magazine illustration.  The piece is charcoal on illustration board.

Howard Chandler Christy became a Member of the Society of Illustrators on January 8th, 1915.  He was elected to the Society’s Hall of Fame in 1980.  To learn more about this artist click here.  

SI partners with #GivingTuesday to raise $5k for our Drawing Academy

What is the Drawing Academy?  

With increasing cuts to art programs, the Society began the Drawing Academy several years ago to allow young students the chance to learn about and create illustrations, comic and cartoon art.  

Today we are asking you to help us raise $5000 for the program so we can fund twenty at-risk youth ages 9-13 from the most vulnerable neighborhoods in New York City. 

Each student will receive art supplies and will engage with a teaching artist at the Society.  Past teachers have included Leslie Cober-Gentry, John Cuneo, Bil Donovan, Jeff Fisher, Stephen Gardner, Victor Juhasz, Ed Murr, George O’Connor, MK Reed, Edel Rodriguez (pictured below), Dave Roman, Ellen Weinstein, and Mark Zeimann, to name a few. They integrate their illustration and comic expertise with the NYS Learning Standards in the Visual Arts to provide students with holistic outcomes-based curriculum.

We also provide nutritious lunches in our amazing third floor Dining Hall!

How You Can Help

Community involvement and support are vital to ensuring that the camp continues.  The Society is partnering with the global #GivingTuesday campaign to raise $5k on December 3rd (today!).  Our goal is to subsidize the costs of serving 20 at-risk youth in our 2014 Winter/Spring Drawing Academies.

Please help us make the Academy possible by making a tax deductible donation today!  Donate online now! 

Help us raise money for our Permanent Collection Acquisition Fund!

The Society has set up an online auction through Paddle8.  All proceeds benefit the acquisition fund of the Museum.  

Visit now to bid on your favorite pieces including this one by Milton Glaser titled Metamorphic Flowers, 1990.  

or this one by Paula Scher titled Silent Night, 1988.

or even this one by Maurice Sendak titled Mother Goose, 1990!

And for those who are interested, UPPERCASE Magazine has created a fantastic sneak peek of our Permanent Collection.  Thank you to Janine Vangool for her help with judging the Illustrators 56 competition and creating this great video

New Acquisition at the Society of Illustrators



R. Robert Pollak donates 16 original illustrations to the Museum’s Permanent Collection

Sunday pages of Mary Perkins, On Stage (1975) and Annie (1983) by Leonard Starr; Flash Gordon by Dan Barry (1976); Star Trek by Ron Harris (1981); Buck Rogers in the 25th Century by Jack Sparling (1983); Tarzan: the Beckoning by Thomas Yeates (1993); Dale Messick cut-outs (1947-50); Brick Bradford by Paul Norris (1966); Reg’lar Fellers (1924) by Gene Byrnes; Burne Hogarth artist proof for one of the King Arthur Series and 3 fashion illustrations by Denise Dupré (c. 1973-1978).

R. Robert Pollak, an avid collector of original comic artwork, is a graduate of Pratt Institute, drawing illustrations with a cartoon flare since the mid-1970s. Many of his pen-and-ink illustrations have appeared in an assortment of publications over the years including The Soho Weekly News and Saks Fifth Avenue, to more recently The Shawangunk Journal, The Ellenville Public Library/Museum, and Historic Green-Wood Cemetery. With assistance from John Sterling Lucas, Pollak started the Katy Keene Fan Club page on Facebook, which he administered and created art for from 2009-2011. Over the last three years Pollak has drawn pin-ups and short stories for Red Stylo Media’s Shakespeare Shaken and Frankenstein Anthology graphic novels. He also illustrates a seasonal comic strip titled Ellen’s Adventures at the Shadowland for an upstate NY newspaper.



The Society of Illustrators is proud to announce the 2014 MoCCA Arts Festival, featuring Guests of Honor Alison Bechdel, Howard Cruse, Fiona Staples and Robert Williams. The 2014 MoCCA Arts Festival will be held on the weekend of April 5 – 6, 2014 at the 69th Regiment Armory in Manhattan….

Cal Schenkel and Gary Panter at the Society of Illustrators

On Saturday, September 21, SI Member Stephen Kroninger moderated a talk with iconic artists Cal Schenkel and Gary Panter.  Thank you to everyone who joined us! The conversation was educational and entertaining, and we will be sharing it on our online video archives soon.

Below are some great illustrations from the lecture by Victor Juhasz. Thanks for sharing these Victor! 

Introducing a brand new look to our Museum Shop!

The Society is proud to announce a new look to the Museum Shop located in the main floor. Visitors are now able to view a larger selection of merchandise specializing in illustration, animation, comic and cartoon art. The Museum Shop includes a wide array of collectibles including limited edition posters, postcards, and gifts featuring artwork from our Permanent Collection and notable Members of the Society of Illustrators.  

To view our online Museum Shop click here.  

The Society donates children’s books

Each year the Society of Illustrators hosts The Original Art, a juried competition to find the year’s best children’s books.  We receive hundreds of submissions from publishers and artists from around the country, and only about 120 are accepted into the show.  The remaining books are then distributed to different charities and programs in New York City.

This past week, the Society dropped off boxes of these books to three different wonderful programs: New Alternatives, The Ink Well Foundation, and Harlem Link Charter School.  Here is a little bit about them and the amazing work they are doing:

New Alternatives for Children: NAC’s mission is to provide high quality services in support of birth, foster, and adoptive families caring primarily for medically fragile children.  Working primarily with children whose birth families live in poverty, NAC’s continuum of services ensures that children’s physical, social, educational, recreational, medical and mental healthcare needs are met.

The Ink Well Foundation: A group of professional animators, illustrators, and cartoonists who draw with children facing illness.  They regularly visit hospitals and health care centers such as Mount Sinai, St. Mary’s, Bellevue, Gilda’s Club and the Ronald McDonald Houses.

Harlem Link Charter School: Harlem Link is a 5-K public charter school that has offered a high quality education choice to families in Harlem since 2005.  

Henry Patrick Raleigh (1880-1944) was one of the most prolific illustrators of all time.  His works appeared in numerous publications including San Francisco ExaminerJournalNew York World, and The Saturday Evening Post.  He became famous for his illustrations of high society which appeared in a series of Maxwell House Coffee advertisements, and was a star among his peers during the Golden Age of American Illustration (1900-1930).  Among his many awards were the Shaw Prize for Illustration at the Salmagundi Club in 1916 and the Gold Medal for Advertising Art in America in 1926.  He was elected to the Society of Illustrators Hall of Fame in 1982.


On display in the Third Floor Hall of Fame Gallery through August 17th. Happy Hour and Opening Reception June 25th 6PM.